Erasing Borders Dance Festival 2023
Indo-American Arts Council
presents
Erasing Borders Dance Festival
September 23 - 24, 2023 (Live In-Person)
September 25, 2023 (Virtual)
Facebook.com | YouTube.com
IAAC is excited to bring Padma Shri Malavika Sarukkai to New York for a performance
with collaborators Niranjan Gokhale and Sai Shravanam.
Photo credit Shalini Jain
Malavika Sarukkai: Intense, extraordinary and luminous are the qualities that distinguish Malavika Sarukkai‘s dancing. With her artistic mastery and technique she commands a presence on the world stage. She is acclaimed globally for her creative dance choreographies, which transport the viewer to the heart beat of dance, taking dance beyond specific geographies.
As a passionate path breaking dancer from India, she has contributed a significant and large body of work. Her collaborative productions have synergized through dialogues with artists from different media – poets, musicians, painters, sculptors and contemporary writers. These interactions bring to her choreographic interpretations the incandescent beauty of the classicalnlanguage and the energized articulation of a contemporary mind. Malavika Sarukkai’s work is celebrated by critics, connoisseurs and the general public. Read more >
Curatorial Guidelines
We are only taking in applications via this form this year.
You can submit solos, duets, or larger groups.
Typically, each performer will be given 8-12 min. This includes any additional information or narration.
Your video is the most important part of your application. An impressive video can catch the eye of the curator and make your performance memorable. When submitting a video, make sure the video is well-lit and appropriately edited for maximum impact. Check out technical guidance. Below are some tips for editing your videos:
- The dancer should be clearly visible in the video.
- The video(s) you submit should be of the work that you propose to perform at the festival, and should submit a plan outlining exactly what you plan to perform. In case the video exceeds the timing, please indicate time markers in your application for the segments you are proposing.
- You may submit up to 2 additional alternative videos with your application. Each video should be 8-12 minutes long.
- Dance works are often better appreciated when placed in context. We suggest that you include a commentary/explanation of your process in the Details of the Proposed Work section of your application.
- Live explanations (i.e. spoken commentaries on your video) will be counted as part of the timing of the total presentation, so you may prefer to send in a written explanation.
- The video you submit should include the complete, continuous work you intend to perform, OR a work-in-progress with detailed explanation. It is imperative for the curators to see the entire work, because our decision making involves thinking through how all the selected works (by different artists) will collectively form a unique, cohesive experience for our audience. An excerpt put together with bits and pieces from different parts of a work or different works WILL NOT BE ACCEPTABLE for the application.
September 24: Sunday: In person in New York
September 25: Monday: Evening digital performance
TBD: Workshop and panel discussions
Note: Selected artists for the virtual festival will receive $250-500 for production value. Please submit a sample budget plan of up to $250-500 for the final production to account for videography, editing, or other needs.
You need to submit a video of the work that you intend to perform. You should submit 2 videos. 1) Submit videos of past choreography. 2) Submit your concept proposal in 100-150 words and send a video (as a work-in-progress). You do not need to submit a video shot using a professional camera - you can submit a video shot using your phone, so long as the quality of the video is good and your dance can be seen well.
Deadline extended to April 15, 2023
Indo-American Arts Council’s Erasing Borders Dance Festival will be presented in a hybrid format in 2023: specific artists will be selected for a live performance in New York on September 23rd and 24th, 2023 and specific artists will be selected for digital performances on IAAC’s streaming platform Facebook and Youtube, on September 25th.
For this year, we are looking for dance works that speak to the theme of courageously creative. IAAC has embraced the theme of courageously creative for the year 2023 across the platforms of film, dance, music, and literature.
In dance, how can we be courageously creative? What are the systems: families, friends, and support systems that allow us to be courageously creative? What nourishes us? Who/what/how is our creativity being supported? What is this family that spurs us to be creative?
Reflecting on this concept of family/support system/nourishment, submit dance works of 8-12 minutes in length that showcase your work. Please submit a 100-150 word description of how these themes connect to your own creative works.
We seek:
- Original works in multiple or new vocabularies and forms deriving from or relating to the traditions of Indian dance.
- Works that are challenging or critically thinking on their own terms.
- Given the hybrid format of the future we encourage shorter works. Professional works of up to 8-12 minutes duration (you can submit multiple works for us to consider).
Requirements:
- Completed Application Form, which will include a place for you to send us a link to the performance piece you want to showcase at the festival.
- Video: Applicants need to submit the entire video recording of the proposed works (not excerpts or sampling of past works). Since this is a hybrid festival, we ask that you not apply with a work that is already published in video format with other platforms.
- We plan on leaving the work accessible online for an agreed upon time after the last day of the festival, so make sure you secure rights from your gurus, musicians, and collaborators. Please also make sure you own the rights to publish the music and other elements that you are using. This permission can be sent to you by other producers through emails, social media messages etc. so it can be documented if the need arises. If you submit work that we select, we assume you have done the due diligence.
- Special note for virtual festival applicants only: This is a work that would be choreographed for camera, so we need to get a sense from your application as to how you would accomplish this.
- Only professional-level performances will be considered for the festival. Typically, we receive about 80 applications each year that our curators go through very carefully. Due to limited time, we do not email all applicants back and prioritize writing to applicants we seriously consider for the festival.
- Selected artists for the virtual festival will receive $250-500 for achieving a professional-grade production value in addition to the performance fee. Please submit a sample budget plan of up to $250-500 for the final production to account for videography and editing. For the usage of this work, you will need to include a credit line “This project was created as part of the Erasing Borders Dance Festival 2023 and is supported by funds from the Indo-American Arts Council."
- Non-refundable application fee of $15.
- Application Due date: March 31, 2023
Deadline extended to April 15, 2023
HOW TO SUBMIT:
- First, review the Curatorial Guidelines we have compiled. These guidelines will help you submit a strong application that catches the eye and interest of our professional curators.
- Selected artists are compensated with professional standard artistic fees for their work and time. Our fees are commensurate to other New York area professional companies.
- Additionally, if selected for the digital presentation, we will provide funds towards video production costs for which technical guidance will be provided. If selected for the live festival, we will take care of all theatre needs in New York.
- Note: We will not be able to process visas. We ask that applicants have already taken care of this.
- Next, complete your application form. Bear in mind that you will not be able to save your application and come back to it later. So, it is recommended that you first draft your answers in a separate document, and then enter them on this online form in one sitting.
- Pay your $15 application fee through PayPal
- If you have any questions, check the Frequently Asked Question (FAQ). We keep updating this FAQ as new questions are received. If the FAQ does not address your questions, you can email us via this Inquiry form. Please note that we will only respond to questions that have not been addressed in the FAQ, so make sure to check the FAQ first!
Technical Suggestions
- Artist(s) would film themselves at home/studio/on location.
- Make sure the sound quality of the music is loud and clear.
- Have lighting from the front and avoid lighting at back (unless it is part of your aesthetic).
- Make sure the video is processed in 1080p HD format to ensure the quality is clear.
Artists Bios
MALAVIKA SARUKKAI – DANCER CHOREOGRAPHER
Photo credit Shalini Jain
Photo credit Shalini Jain
Intense, extraordinary and luminous are the qualities that distinguish Malavika Sarukkai‘s dancing. With her artistic mastery and technique she commands a presence on the world stage. She is acclaimed globally for her creative dance choreographies, which transport the viewer to the heart beat of dance, taking dance beyond specific geographies.
As a passionate path breaking dancer from India, she has contributed a significant and large body of work. Her collaborative productions have synergized through dialogues with artists from different media – poets, musicians, painters, sculptors and contemporary writers. These interactions bring to her choreographic interpretations the incandescent beauty of the classicalnlanguage and the energized articulation of a contemporary mind. Malavika Sarukkai’s work is celebrated by critics, connoisseurs and the general public.
Malavika Sarukkai’s choreographies Sthiti Gati and Krishna Nee are included in the core repertoire of the Juilliard Creative Classroom Resources, New York. Recognized for her contribution as an artist with intellectual depth, Malavika Sarukkai was invited to deliver the prestigious Coomaraswamy Memorial Lecture in Mumbai.
Affirming the interrelatedness of the arts Malavika Sarukkai collaborated with eminent Art Historian Dr. B.N. Goswamy by creating a series of lecture performances linking Indian miniature painting and classical dance. Celebrated for her ‘out of the box’ creative thinking she was invited by Kartik Fine Arts to conceptualize and curate the Natya Darshan Dance Symposium 2014 and 2015.
A film entitled ‘The Unseen Sequence’ directed by Sumantra Ghoshal has been made celebrating her distinctive intellectual and creative approach to dance. The international premier of the film was in early 2014 at the prestigious Dance on Camera Festival, Lincoln Center, New York. This searching and personal film continues to receive rave reviews from critics, connoisseurs and public. Her exceptional artistry has also been filmed by the BBC, German TV and French Art Channel.
The National Center for The Performing Arts, Mumbai celebrated Malavika Sarukkai’s artistry over a period of ten days across the city of Mumbai in the event, “A Tribute To Excellence”.
Malavika Sarukkai has received many accolades. Padma Shri from the President of India in 2003, SNA Award 2002 from the Central Sangeet Natak Akademi, Delhi, Kalaimamani from the Government of Tamilnadu in 1994, the Natya Kala Acharya award for 2017 from the Music Academy, Chennai and Hanumant Award 2017 from Chitrakutdham Trust, Gujarat , The Hindu Heritage Award 2018, Chennai and Natya Padmam Award for 2018 from Brahma Gana Sabha.
Niranjan Gokhale: Niranjan Gokhale completed his BA and MA programme in Theatre from University of Pune going on to specialize in Lighting Design at the University of Georgia. His lighting design includes versions of world-renowned plays - Death of a Salesman, Rashomon, Les Justes, Endgame, The Threepenny Opera, The Caucasian Chalk Circle among others. Western dance productions like The Nutcracker, Cinderella, and Oz The Ballet. Dance dramas based on Indian classical dance styles - Nayani (Bharatanatyam), Hansika (an Odissi adaptation of Swan Lake), Sookshma (Odissi). Niranjan is working as a Light Designer with Attakkalari Centre for Movement Arts, a Contemporary Dance Company, Bangalore from 2011. He has toured across India, multiple countries abroad with different dance, and theatrical productions.
Sai Shravanam: A skilled musician, sound designer, music producer and entrepreneur, Sai Shravanam has created a benchmark quality in all of his endeavors with a single minded devotion towards classical and folk music of India. Uniquely recognized as a one of the few classically trained sound designers in the country, Sai Shravanam has developed his talents through years of experience in recording music, bringing musicians the masterful chemistry necessary to produce their best. With his constant thirst for music and technology, he established a concrete bridge in Indian classical music between artistes and modern technology without distorting the sensitivity of the art form or the comfort of the artistes. He has successfully completed over 18 years of professional music production with all the premier artistes of India, international artistes and the most prestigious music labels around the world. He initiated a startup in the year 2007, Resound India®.
IAAC is excited to bring Padma Shri Malavika Sarukkai to New York for a performance
with collaborators Niranjan Gokhale and Sai Shravanam.
Photo credit Shalini Jain Photo credit Shalini Jain
Malavika Sarukkai: Intense, extraordinary and luminous are the qualities that distinguish Malavika Sarukkai‘s dancing. With her artistic mastery and technique she commands a presence on the world stage. She is acclaimed globally for her creative dance choreographies, which transport the viewer to the heart beat of dance, taking dance beyond specific geographies.
As a passionate path breaking dancer from India, she has contributed a significant and large body of work. Her collaborative productions have synergized through dialogues with artists from different media – poets, musicians, painters, sculptors and contemporary writers. These interactions bring to her choreographic interpretations the incandescent beauty of the classicalnlanguage and the energized articulation of a contemporary mind. Malavika Sarukkai’s work is celebrated by critics, connoisseurs and the general public.
Malavika Sarukkai’s choreographies Sthiti Gati and Krishna Nee are included in the core repertoire of the Juilliard Creative Classroom Resources, New York. Recognized for her contribution as an artist with intellectual depth, Malavika Sarukkai was invited to deliver the prestigious Coomaraswamy Memorial Lecture in Mumbai.
Affirming the interrelatedness of the arts Malavika Sarukkai collaborated with eminent Art Historian Dr. B.N. Goswamy by creating a series of lecture performances linking Indian miniature painting and classical dance. Celebrated for her ‘out of the box’ creative thinking she was invited by Kartik Fine Arts to conceptualize and curate the Natya Darshan Dance Symposium 2014 and 2015.
A film entitled ‘The Unseen Sequence’ directed by Sumantra Ghoshal has been made celebrating her distinctive intellectual and creative approach to dance. The international premier of the film was in early 2014 at the prestigious Dance on Camera Festival, Lincoln Center, New York. This searching and personal film continues to receive rave reviews from critics, connoisseurs and public. Her exceptional artistry has also been filmed by the BBC, German TV and French Art Channel.
The National Center for The Performing Arts, Mumbai celebrated Malavika Sarukkai’s artistry over a period of ten days across the city of Mumbai in the event, “A Tribute To Excellence”.
Malavika Sarukkai has received many accolades. Padma Shri from the President of India in 2003, SNA Award 2002 from the Central Sangeet Natak Akademi, Delhi, Kalaimamani from the Government of Tamilnadu in 1994, the Natya Kala Acharya award for 2017 from the Music Academy, Chennai and Hanumant Award 2017 from Chitrakutdham Trust, Gujarat , The Hindu Heritage Award 2018, Chennai and Natya Padmam Award for 2018 from Brahma Gana Sabha.
Niranjan Gokhale: Niranjan Gokhale completed his BA and MA programme in Theatre from University of Pune going on to specialize in Lighting Design at the University of Georgia. His lighting design includes versions of world-renowned plays - Death of a Salesman, Rashomon, Les Justes, Endgame, The Threepenny Opera, The Caucasian Chalk Circle among others. Western dance productions like The Nutcracker, Cinderella, and Oz The Ballet. Dance dramas based on Indian classical dance styles - Nayani (Bharatanatyam), Hansika (an Odissi adaptation of Swan Lake), Sookshma (Odissi). Niranjan is working as a Light Designer with Attakkalari Centre for Movement Arts, a Contemporary Dance Company, Bangalore from 2011. He has toured across India, multiple countries abroad with different dance, and theatrical productions.
Sai Shravanam: A skilled musician, sound designer, music producer and entrepreneur, Sai Shravanam has created a benchmark quality in all of his endeavors with a single minded devotion towards classical and folk music of India. Uniquely recognized as a one of the few classically trained sound designers in the country, Sai Shravanam has developed his talents through years of experience in recording music, bringing musicians the masterful chemistry necessary to produce their best. With his constant thirst for music and technology, he established a concrete bridge in Indian classical music between artistes and modern technology without distorting the sensitivity of the art form or the comfort of the artistes. He has successfully completed over 18 years of professional music production with all the premier artistes of India, international artistes and the most prestigious music labels around the world. He initiated a startup in the year 2007, Resound India®.
Aug 06 Performance
Aug 07 Performance
Aug 08 Performance
Press Release
Photos
Committee and Curators
Deepsikha Chatterjee: Dance Director
Deepsikha Chatterjee is a tenured faculty of Theatre at Hunter College CUNY where she enjoys teaching a diverse student body. She received her undergraduate degrees from University of Madras and National Institute of Fashion Technology before moving to the US for her MFA in Costume Design from Florida State University.Currently she is pursuing her PhD in Theatre and Performance from CUNY Graduate Center.Her costume design for Butoh Medea and Hide Your Fires received the Best Costume Design award at United Solo in 2014 and 2017 respectively. Her designs have been seen recently at Barnard College, Mabou Mines, Rattlestick Playwrights Theatre, Women’s Project, New York Musical Festival, Drive East, United Solo, Pan Asia Repertory, and Capital Fringe.
She researches costumes and masks for Indian performance and has received notable grants for this work. Her presentations have been seen at conferences including USITT, Costume Society of America, and the Rubin Museum of Art in New York City. She has published articles on Indian and Asian theatre, and Indian fashion. Since 2017 she has served as the dance director for Indo-American Arts Council’s Erasing Borders Dance Festival bringing international dancers to the New York stage.
Uttara Asha Coorlawala: Curator
Uttara Asha Coorlawala currently teaches in the dance program at Barnard College/Columbia University and serves as Curator for Erasing Borders--the annual Festival Of Indian Dance. Had previously also taught at Alvin-Ailey- Fordham University Dance Program, Long Island University's C.W. Post Campus, and at Princeton University, NJ. Earlier as a dancer, her solo show, (1973-87) brought modern dance, BharataNatyam and yoga, to stages of India, Europe, East Europe, Japan and the United States. For her pioneering choreography she was recently awarded the Sangeet Natak Akademi national award. (India) Uttara also served on various global dance research (CORD) and educational (IB) Committees, and as Performing Arts advisor to the late Prime Minister Rajiv Gandhi, and at the National Center of Performing Arts, Mumbai.
Awards for writing include AHRB Fellowship for South Asian Dance Research, London, The Graduate Research Award from CORD, USA, the Homi Bhabha Fellowship, India, a Ford Foundation research project (USA) on changing demographies of cultures in the U.S. and an award to study choreography from the Asian Cultural Council.
Currently, she is even more invested in the ongoing global re-flows of body knowledges.
Sruthi Mohan: co-curator
Sruthi Mohan is the Founder and Creative Director of Tat Tvam Asi, a boutique art organization in Austin, Texas, created specifically to curate and present works of internationally acclaimed Indian classical dancers touring the US.
An active and passionate community organizer, with more than a decade of organizational experience, she currently serves as the Cultural Committee Chair of the Austin Hindu Temple and has been instrumental in creating various cultural outreach initiatives that aim to showcase the spiritual beauty of Indian classical dance and other temple arts.
An accomplished and well trained classical dancer who started training at the age of three, she continues to perform to a diverse international audience. She also shares her passion for dance by writing about dance, appearing on radio and TV talk shows to promote and educate a wide and diverse audience about Indian Classical Dance.
Apart from being a dancer and a dance presenter she is also a Co curator for the Erasing Borders Dance Festival, New York.
Dipashreya Sur
Dipashreya Sur is a rising sophomore at Barnard College of Columbia University majoring in Mathematical Sciences and History and Theory of Architecture. She has been learning Kathak, an Indian Classical Dance form, in the Lucknow Gharana for more than 14 years. On campus she dances with Columbia Taal, an Indian Classical Fusion Dance team. Though Dance originally started off as an extracurricular activity introduced by her parents, overtime it became her passion. Over the years she has also explored dance styles ranging from Contemporary to Afro Cuban. She is honored to be a part of this year’s Erasing Borders Festival.
Jin Won
Jin Won praised by the NY Times as “an exuberant dancer whose musicality transform[s] her dancing into something primal,” dancer and percussionist who explores the sonic and visual possibilities of rhythm through dance and music, Jin Won is a one-of-a-kind artist in the field of Indian performing arts. An accomplished Kathak dancer and tabla player of South Korean origin, she spent over 15 years in India training in Indian classical percussion and dance under Pandit Divyang Vakil and Shrimati Shubha Desai, respectively. Currently, she is under the mentorship of Shrimati Durga Arya to enhance the artistry of kathak.
As artistic director of Pradhanica Dance and Music Company and full-time faculty at Taalim School of Indian Music, Jin has created, choreographed, and starred in various ensembles that have performed in esteemed venues across North America, as well as taught master classes and workshops in many institutes.
Preya Patel
Preya Patel as Artistic and Executive Director of Vivarta Arts Inc. based out of NYC, Preya Patel a is committed to bringing classical South Asian arts to the US mainstream. She conducts regular classes out of her studios in Queens and Long Island, and also enhances cultural awareness via Indian dance residencies and workshops at numerous NYC and Nassau County public schools and universities. Working with interdisciplinary organizations within the NY metro, she participates in a variety of community outreach programs towards her mission of global connectivity.
With over 25 years of training in Kathak under the guidance of Guru Smt. Jamuna Mitcham and completion of her Kathak Rang Pravesh, Preya undertakes further training from the world-renowned Kathak Guru Smt. Vaishali Trivedi, the disciple of Kathak legend Padma Vibhushan Smt. Kumudini Lakhia. She has graced the stages at prestigious events and venues in the US, UK, Canada and India.