Indo-American Arts Council

Literary Festival 2025

International House
500 Riverside Drive New York, NY 10027-3916 212-316-8400

November 15-16, 2025

(All sessions are FREE and OPEN to the public. Please RSVP.)

For Parking Directions at venue, click here.

SUNDAY KEYNOTE SESSION

Sadhguru on “Death: A Yogi’s Guide to Living, Dying and Beyond”
Sunday, November 16 12PM | Davis Hall, International House, New York City

November 15, 12PM | Davis Hall, International House, New York City
For Parking Directions at venue, click here.

November 14-15, 11AM-6PM | International House, New York City
All sessions are FREE to attend
For Parking Directions at venue, click here.

SATURDAY PROGRAM

EBDF2026

Poetry – Blue Selvage by Preeti Parikh, My Life Closed Twice by Subhashini Kaligotla, RED by Sudeep Sen, Book Name by Aditya Narayan

Details Coming Soon

Industry Panel – Book Name
by Renu Verma

Details Coming Soon

Book Name
by Author Name

Details Coming Soon

Book Name
by Author Name

Details Coming Soon

SUNDAY PROGRAM

Sunday, November 15, 11AM-6PM | International House, New York City
All saturday sessions are FREE to attend
For Parking Directions at venue, click here.

Book Name
by Author Name

Book Name
by Author Name

Book Name
by Author Name

Book Name
by Author Name

SATURDAY PROGRAM

All saturday sessions are FREE to attend and will be held at International House
500 Riverside Drive New York, NY 10027-3916
For Parking Directions at venue, click here.

Saturday, 14 November 2026
11.00 – 11.50 AM

Autor Name

Book Talk: Book Name

Author Bio

In conversation with

Moderator Name

Moderator Bio

Saturday, 14 November 2026
04.00 – 04:50 PM

POETRY

Preeti Parikh

Book Talk: Blue Selvage

Preeti Parikh is a poet and essayist with a past educational background in medicine and a recent MFA from The Rainier Writing Workshop. A Kundiman Fellow and National Poetry Series finalist, she is the recipient of a 2023 Sustainable Arts Foundation grant award and a 2024 Ohio Arts Council Individual Excellence award. Preeti's poems appear in Beloit Poetry Journal, The Cincinnati Review, Hayden's Ferry Review, The Margins, Zocalo Public Square, and other literary journals. Her writing is anthologized in Nonwhite and Woman: 131 Micro Essays on Being in the World, the Yearbook of Indian Poetry in English (2021 and 2022 editions), and The Last Milkweed. Preeti has been a Millay Arts Artist-in-Residence and an AWP Writer to Writer Program mentee and has received staff scholarships from the Bread Loaf Writers' Conference. Her work has been performed in a poetry-ballet collaboration and exhibited at the 2025 Creative Asian Society Art Exhibition. Born and raised in India, she now lives with her family in Ohio. Preeti Parikh's collection of poems, BLUE SELVAGE, named by Debutiful as one of The Debut Poetry Collections You Need to Read in 2026, will be out in November from Tupelo Press.

BOOK
Blue Selvage is a formally daring, deeply embodied meditation that weaves lyric, essay, documentary fragments, and historical reckoning into an exploration of skin, cloth, color, and form as living archives. Here, passion for indigo, a medical-science-informed perspective, fascination with the materiality of cloth and skin, and a journeying towards reclamation interlace with feminist inquiries and cultural examination to conceptualize the poems' multivalent inhabitances. Expansive in its rhetorical modes and landscapes, Blue Selvage is unified by a remarkable singularity of voice and vision through which Parikh skillfully invokes form as metaphor, performance, dramatization, and content. What emerges is a capacious field of attention, where intimacy and history press against one another, and where writing itself becomes an act of unstitching and re-making—an ethical, sensuous practice of staying with what the body remembers and what culture would prefer to erase.

BOOK REVIEWS
ADVANCE PRAISE FOR BLUE SELVAGE (TUPELO PRESS, NOV 2026)

Poetry as the work of embodiment, of transformation—this principle manifests as a gorgeous new expression in Blue Selvage. But as Preeti Parikh shows, the arc towards self-realization is also about the tensions between raveling and unraveling, stitching and unstitching, text and lacuna. Delving into the intimacy of memory and the violence of history, Parikh understands that “opacity and translucence” are both necessary to deep testimony. Bold in its forms and defiant in its truths, Blue Selvage is a radiant debut. — Rick Barot, Author of Moving the Bones

The artistry of Preeti Parikh’s debut collection, Blue Selvage, is one of daring precision—an embroidery of vivid, textured language that explores the instability of boundaries and the implications of integument: cover and exposure, clothing and skin, diaspora and the “dreamcloth” of identity. This is the poetics we need today, one that deeply enacts the decentralization of power by meditating on edges both frayed and selvaged and traversing the thresholds of body, language, culture, and memory. Parikh’s multi-lingual, multi-modal tapestry is beautiful, articulate, and brave. A refreshing and liberating voice! — Jennifer Elise Foerster, Author of The Maybe Bird

Blue Selvage is an inventive palimpsest of South Asian history and autobiography, unspooling the female body and the weight of its inheritance. Braiding memory with etymology, and medical terminology with the cadences of Hindi and Gujarati, Parikh navigates multiple geographies—clinical, domestic, diasporic. Here, fabric both covers and bares. The body is archive and anatomy, born a ‘milky clump’ of cotton and marked by indigo's colonial violence. This is fierce work on the gaze and its exposures, a reckoning with touch, shame, and desire that stains the reader's mind blue and selvages the self. A stunning debut by a luminous new voice. — Shikha Malaviya, Author of Anandibai Joshee, A Life in Poems

Blue Selvage is a chronicle of dichotomies, both difficult and joyful. Preeti Parikh’s debut collection of poems is exhilarating. Here we find a convincingly modern mind — one formed in girlhood on one continent and evolving into an empowered woman and poet on another. The tensions of family and culture explored in this book are numerous: what’s lost and what’s found; what’s private and what’s a violation; what’s a mask and what’s a face; what is broken and what is healed. The concentrated, formally varied poems weave shame and empowerment, the buried and the unearthed, the forgotten and the remembered. When Parikh writes, “let the fabric breathe,” she is conveying complexities of feeling, fluency, and morality that any reader will recognize as clarity and grace. — David Biespiel, Author of Beautiful Is the World

Subhashini Kaligotla

Book Talk: My Life Closed Twice

Subhashini Kaligotla is a poet and an art historian of premodern South Asia. Her first poetry collection, Bird of the Indian Subcontinent (2018), was a finalist for the Kundiman Poetry Prize and won the Great Indian Poetry Collective's Emerging Poets Prize, selected by Arundhathi Subramaniam. Her second poetry volume, My Life Closed Twice (2025), has been longlisted by the Kalinga Literary Festival for their 2026 award for best poetry collection. Poems in the collection have appeared in such journals as The Paris Review, Guernica, and Open Magazine, and have been included in several anthologies of Indian and diasporic poetry, notably The Penguin Book of Indian Poets (2022). Kaligotla is author of the art history monograph, Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India (Yale, 2022) and is Barbara Stoler Miller Associate Professor in the Department of Art History and Archaeology at Columbia University.

BOOK
Grief does not travel in straight lines; it spirals, echoes and persists. My Life Closed Twice embodies this truth profoundly. Subhashini Kaligotla's second collection immerses you in loss, weaving together fragments and litanies, lists and unanswered questions, revisiting the same wound from varied perspectives. Rooted in the art, literature and history of premodern India, these poems articulate an ancient language of private devastation.

BOOK REVIEWS
Subhashini Kaligotla's ingeniously fashioned poetic structures—which are light, flexible, delicate yet possessed of remarkable tensile strength and architectural clarity and integrity—aren't just beautiful in themselves. They're also vessels for deep imaginative feeling and thinking and wondering and longing. She has a unique, compelling lyric voice and a distinguished twenty-first century consciousness. — Vijay Seshadri

Anger, denial, bargaining, despair, all the stages of grief except acceptance, each stage overlaid with the forensic precision generated by love when it has nowhere to go. These enraged, laceratingly plainspoken poems burn with the singular self-awareness that is the writer's curse, and the writer's gift. Two deaths enclose the book like ‘two dates // enclosed / by parentheses’. It is impossible to read, say, ‘Only Your Brother Will You Lose’—its fifty shards hammered into the flesh like fifty nine-inch nails—and come away unscathed. — Jeet Thayil

Sudeep Sen

Book Talk: RED

Professor of Practice, Dept of English & Cultural Studies, Panjab University, Chandigarh, India; Visiting Associate, Centre for Indian Studies in Africa (CISA), University of Witwatersrand, Johannesburg, South Africa, and Co-Chair, Asia-Pacific Writers & Translators (APWT), Australia. Formerly, he was Visiting Scholar at Harvard University, USA.

He is a leading international poet whose prize-winning books include: Postmarked India: New & Selected Poems (HarperCollins), Aria (A K Ramanujan Translation Award), Fractals: New & Selected Poems | Translations 1980-2015 (London Magazine Editions), EroText (Penguin), Kaifi Azmi: Poems | Nazms (Bloomsbury), Bhutan (Drunken Boat, USA), Anthropocene (Pippa Rann, Rabindranath Tagore Literary Prize), Red (Pippa Rann), and Rock completes ‘The Eco Trilogy’. Edited landmark anthologies include: The HarperCollins Book of English Poetry, Modern English Poetry by Younger Indians (Sahitya Akademi), Converse: Contemporary English Poetry by Indians (Pippa Rann, UK), and Himalayas (Shearsman Books, UK). Blue Nude: Ekphrasis & New Poems (Jorge Zalamea International Poetry Prize), Rock, and The Whispering Anklets are forthcoming.

His photography, represented by ArtMbassy, Rome/Berlin, is part of private/public collections. The Government of India awarded him the senior fellowship for “outstanding persons in the field of culture/literature.” Sen is the first Asian honoured to deliver the Derek Walcott Lecture and read at the Nobel Laureate Festival.

BOOK
Sudeep Sen's prize-winning books include: Postmarked India: New & Selected Poems (HarperCollins), Aria (A K Ramanujan Translation Award), Fractals: New & Selected Poems | Translations 1980-2015 (London Magazine Editions), EroText (Penguin), Kaifi Azmi: Poems | Nazms (Bloomsbury), Anthropocene (Rabindranath Tagore Literary Prize), Red and Rock. Edited landmark anthologies The HarperCollins Book of English Poetry, Modern English Poetry by Younger Indians (Sahitya Akademi), Converse: Contemporary English Poetry by Indians (UK), and Himalayas (UK). The Government of India awarded him the senior fellowship for “outstanding persons in the field of culture/literature.” Sen is the first Asian honoured to deliver the Derek Walcott Lecture and read at the Nobel Laureate Festival.

BOOK REVIEWS
Sudeep Sen is a shining star in India’s poetic firmament. — WILLIAM DALRYMPLE

Sudeep Sen’s poems are a present which bring — like all true poetry — so much companionship. — JOHN BERGER

Sudeep Sen gives me faith in writing, in reading and in a life of thoughtful and poetic enquiry. He holds high the banner of literature and pushes it forwards with a passion and intelligence we would all do well to emulate. Such dedication to art is as rare as it is urgent. — PICO IYER

Aditya Narayan

Book Talk: Book Name

Author Bio

In conversation with

Ravi Shankar

Pushcart prize winning poet, translator and professor Ravi Shankar has published, edited or has forthcoming over fifteen books, including the Muse India award-winning translations of 9th century Tamil poet/saint, Andal, 'The Autobiography of a Goddess' (Zubaan/University of Chicago), 'The Golden Shovel: New Poems Honoring Gwendolyn Brooks" (University of Arkansas) and 'The Many Uses of Mint: New and Selected Poems 1997-2017' (Recent Works Press). Along with Tina Chang and Nathalie Handal, he co-edited W.W. Norton's "Language for a New Century: Contemporary Poetry from the Middle East, Asia & Beyond" and he founded one of the world's oldest electronic journals of the arts, Drunken Boat. He has taught and performed around the world and currently holds a research fellowship from the University of Sydney. His collaborative chapbook, 'A Field Guide to Southern China' written with T.S. Eliot Prize winner George Szirtes was just published in the UK August 2019 by Eyewear Publishing.

INDUSTRY PANEL:
Saturday, 14 November 2025

02.00 – 02:50 PM

Renu Verma

Industry Panel – Book Name

Renu Kaul Verma is the Managing Director and Publisher of the Vitasta Blackspine Publishing Group. A former journalist with The Indian Express and Hindustan Times, she founded Vitasta Publishing in July 2004 with the conviction that books have the power to shape conversations, preserve memory, and challenge accepted narratives.

Over the past twenty-two years, she has guided the growth of Vitasta from a single-title independent press into a publishing house with a catalogue of more than 700 books across history, politics, biography, gender, literature, philosophy, culture, translations, and children's publishing. Throughout that journey, she has remained committed to publishing works that combine intellectual depth with accessibility.

Working closely with authors, academics, journalists, public intellectuals, and first-time writers, Renu has championed voices that broaden public conversation and bring fresh perspectives to readers. Her editorial vision continues to be guided by a belief in the enduring relevance of independent publishing and the responsibility of publishers to nurture ideas that inform, question, and inspire.

She is a regular participant in literary festivals and publishing forums, where she speaks on independent publishing, editorial stewardship, and the evolving role of books in a rapidly changing world.

About Vitasta Publishing
Vitasta Publishing is an independent publishing house that believes the most meaningful books are those that ask questions, invite reflection, and remain relevant long after they are first read. Guided by its motto, Books That Dare the System, its publishing programme is shaped not by a single genre or viewpoint, but by an enduring curiosity about people, history, ideas, cultures, and the changing world around us.

From its very first publication, Brahmacharya Gandhi and His Women Associates, Vitasta established a distinctive editorial voice by publishing books that question accepted narratives, recover overlooked histories, and encourage informed dialogue. Today, its catalogue of more than 700 titles spans history, politics, biography, literature, philosophy, religion, sociology, children's books, the arts, translations, and contemporary fiction, bringing together established scholars, journalists, public intellectuals, creative writers, and emerging voices.

As an independent publisher, Vitasta remains committed to editorial freedom and to publishing books that are thoughtful, well-researched, and accessible. Whether exploring the complexities of the past, examining the realities of the present, or imagining new possibilities through literature, its books invite readers to think deeply, question generously, and engage openly with the world.

SUNDAY PROGRAM

SESSION2 – 15 November 2026
12.00 – 01.00 PM

Author Name

Book Talk: Book Name

Author Bio

In conversation with

Moderator Name

Moderator Bio

Frequently Asked Questions (FAQs)

What if I do not send a digital copy of my book?

Your application will be deemed incomplete and will not be processed until we receive a digital copy of your book.

What if I do not have a digital copy of my book?

Please contact us via email at admin@iaac.us so that we can further assist you. Please make sure to put “Digital Copy of Book Unavailable” in your subject title.

What is the deadline?

The application Deadline is May 15, 2026 11:59pm EST.

What are dates of publication being considered?

Books published in 2024, 2025 and scheduled for release in early 2026 will be considered.

Will you accept self-published books?

Self-published books will not be considered.

I submitted my book last year, can I submit the same book this year?

If your book was not part of our literary festival last year and falls within the publishing dates for this year, we welcome your submission.

When will I know if I am selected?

Invitations will go out in August.

Do you send out rejection letters?

We do our best to keep everyone informed about the status of their submission. Given the volume of submissions that we receive, we may inadvertently miss a few. Do reach out via email at admin@iaac.us if you don’t hear from us. Please make sure to enter Literary Festival Submission Status Enquiry in the Subject line.

Do you pay the authors?

The authors will receive an honorarium.

Who chooses the moderators?

The moderators are chosen by the IAAC literary team.
We welcome suggestions from the selected authors and/or their publishers but may not always be able to accommodate them.

Do you pay the moderators?

The moderators will receive an honorarium.

Will every author have an independent session?

Some sessions will be independent and others will be panel discussions, all sessions will have a moderator. Authors will be informed of the format of their session in advance.

Will IAAC purchase books?

IAAC will not purchase books.

Will I be able to sell my books at the venue if I am selected?

Book sales will be permitted for one hour after the author’s session. IAAC will not participate in the sale of books. Every author/publisher must make arrangements to have the books delivered to the venue and removed after their time slot has ended. IAAC will be happy to share links to the sites where the book is available for purchase.

If you have further questions, please reach out to us at admin@IAAC.us

Curators and Team

Preethi Urs

Festival Director

Preethi Urs is originally from Bengaluru and is now a proud New Yorker. She credits these two cities for birthing and nurturing her love for literature and the arts. She started her career in public relations where she helped international companies connect with their American counterparts. After completing an MS in education from Bank Street College of Education, she taught kindergarten and first grade. She and her husband live in Manhattan, where their two children were born and raised.

Keith Tauro

Keith Tauro

Keith Tauro is an investment banking professional with expertise across strategic advisory and capital markets, shaped by tenures at Nomura Greentech, Evercore, and Barclays. His recent focus centers on guiding innovation-driven companies in the material science sector, helping them navigate strategic pathways including M&A, growth financing, and market positioning. Prior to entering financial services, Keith worked at Emirates Airlines, bridging his early career between an engineering undergraduate degree and business school. He is based in New York City.

Dr. Ravi Shankar

Pushcart prize winning poet, translator and professor Ravi Shankar has published, edited or has forthcoming over fifteen books, including the Muse India award-winning translations of 9th century Tamil poet/saint, Andal, 'The Autobiography of a Goddess' (Zubaan/University of Chicago), 'The Golden Shovel: New Poems Honoring Gwendolyn Brooks" (University of Arkansas) and 'The Many Uses of Mint: New and Selected Poems 1997-2017' (Recent Works Press). Along with Tina Chang and Nathalie Handal, he co-edited W.W. Norton's "Language for a New Century: Contemporary Poetry from the Middle East, Asia & Beyond" and he founded one of the world's oldest electronic journals of the arts, Drunken Boat. He has taught and performed around the world and currently holds a research fellowship from the University of Sydney. His collaborative chapbook, 'A Field Guide to Southern China' written with T.S. Eliot Prize winner George Szirtes was just published in the UK August 2019 by Eyewear Publishing.

Professor Narayan Hegde

Professor Narayan Hegde is Emeritus Professor of English at SUNY College at Old Westbury, where he taught English, Indian, and World Literatures. As a Senior Fellow of the American Institute of Indian Studies, he has translated several works of Kannada literature, including Stallion of the Sun and Other Stories by U. R. Ananthamurthy, Annayya's Anthropology by A. K. Ramanujan, and a 19th-century drama, The Marriage Farce of Iggappa Hegade. He is a recipient of the Katha Translation Award. Translation of Avasthe, a Kannada novel by the eminent Indian author, U.R.Ananthamurthy, was recently published by HarperCollins India. He is currently part of a team translating the 15th century Kannada epic Kumaravyasa Bharatha for publication by Harvard University Press in its Murty Classical Library of India series.

Prof S.N. Sridhar

Professor S.N. Sridhar

Professor S.N. Sridhar is SUNY Distinguished Service Professor, Professor of Linguistics and India Studies, and Director of the Mattoo Center for India Studies at Stony Brook University, where he has been teaching since 1980.He graduated from Central College, Bangalore University, with a B.A. (Honors) and M.A. in English literature and linguistics with a first class and the first rank for the University. He did a Ph.D. in Linguistics with distinction from the University of Illinois at Urbana-Champaign.Professor S.N. Sridhar is an internationally recognized expert on multilingualism, Indian linguistics, World Englishes, and Kannada. His research concerns many areas, including: bilingualism (language contact and convergence); sociolinguistics of code-switching and code-mixing, language modernization, language spread; second language acquisition in non-native settings; Indian English and other World Englishes; reference grammar of Kannada (syntax, morphology, social dimensions); psycholinguistics (sentence production, code-mixing), applied linguistics (scope and relation to linguistic theory), historical linguistics (acquisition of subjecthood, contact-induced language change), and history of linguistics (Indian grammatical tradition). Currently, he is working on a monograph on multilingualism in India and another on the classic Kannada poet Kumara Vyasa and another on multilingualism in India. He heads an international consortium of scholars translating the Kannada classic Mahabharata by Kumaravyasa into English, to be published in three volumes in the Murthy Classical Library by Harvard University.

Professor S.N. Sridhar is author of three books: Kannada: Descriptive Grammar (Routledge, 1990 and Manohar 2001), Cognition and Sentence Production: A Cross-Linguistic Study (Springer Verlag, 1986), and India Kannada (Contemporary Kannada, Kannada University, 1995 and Abhinava, 2009); co-editor of two reference volumes ( Ananya: A Portrait of India (AIA, 1997), and Language in South Asia (Cambridge, 2008) and seven special issues of journals, and author of numerous peer-reviewed articles, book chapters, and encyclopedia entries.

Professor S.N. Sridhar’s research has been supported by the National Science Foundation, the U.S. Department of Education, and the American Institute of Indian Studies. He was designated Senior/Superior Scholar in the Humanities by the National Endowment for the Humanities. He has been a plenary or keynote speaker at many international conferences, including the Linguistic Society of India in 2013, and member of editorial board of journals, evaluator of publication projects and academic programs. He was conferred the select faculty rank of Distinguished Service Professor by the State University of New York in 2011. He is Vice-President and President Elect of the International Association of World Englishes.

Professor S.N. Sridhar is a co-founder of South Asian Languages Analysis (SALA) and organized its international conferences at Stony Brook in 1983 and 2004. He has also organized or co-organized conferences on Dravidian Linguistics, India Studies, the Teaching of Linguistics, and Teaching of Asian Languages.

Professor S.N. Sridhar is the founding Director of the Center for India Studies at Stony Brook, which has evolved over two decades into a national model of Indian American community-public university partnership in developing India Studies. He also served as the Founding Chair of the Department of Asian and Asian American Studies from 2002-2008.Professor S.N. Sridhar is also active in the community. He founded the India Society of Stony Brook in 1989 and served as its first President until 1994. He has also served as a member of the Board of Trustees of the Association of Indians in America and of the American Institute of Indian Studies and the Board of Governors of the Indo-American Arts Council, New York.He lives in Stony Brook with his wife and collaborator, Professor Kamal (Meena) Sridhar.

Makarand Paranjape

Prof. Makarand Paranjape

Makarand R Paranjape is currently Director of Education, Access Health Care Physicians, Spring Hill, Florida. Professor of English at Jawaharlal Nehru University for nearly 25 years, he also served as Director, Indian Institute of Advanced Study (Shimla) and held several fellowships/visiting professorships including the inaugural India Chair at the South Asian Studies Programme, National University of Singapore, the Shivadasani Fellowship, Oxford Centre for Hindu Studies, the CAPES Visiting Professorship at the University of São Paulo and Federal University of Minas Gerais, and the inaugural Erich Auerbach Visiting Chair in World Literature at the University of Tuebingen. The author/editor of over 50 books, he has published over 200 academic papers/book chapters, and over a thousand newspaper/periodical essays and op-eds. His ongoing columns include “Soft Power” (Open magazine), “Right Turn” (Gulf News), “Truth or Dare” (ToI Plus), and “US Sutra” (FirstPost). His latest books include Mahatma Gandhi: Mrityu aur Punarutthan (Penguin Swadesh), Identity’s Last Secret (BluOne Ink), and Swami Vivekananda: Hinduism and India’s Road to Modernity (HarperCollins).

Media Center

Press Release

LitFest2026

The Indo-American Arts Council (IAAC) is pleased to announce the 2026 IAAC Literary Festival in New York City on November 15th and 16th. This distinguished celebration of the written word shines a spotlight on the vibrant cultures of India and its diaspora, offering a platform for stories that inspire, challenge and connect.

We invite submissions of published books across all genres, including poetry and children's literature. We welcome writings by Indian and diaspora authors, as well as by individuals of all backgrounds whose creations draw inspiration from or are deeply rooted in India’s rich cultural heritage. Original content in English and Indian languages (with English translations) are welcome.

Our festival has hosted luminaries such as Salman Rushdie, Amartya Sen, Megha Majumdar, Asma Khan, Alka Joshi, and Nobel Laureate Dr. Kailash Satyarthi, alongside powerful voices in literature and thought. It is a space where literary excellence meets cultural depth, and ideas transcend borders.

IAAC champions themes like Empowerment, Sustainability, and Inclusivity, forging partnerships with leading organizations like Poets & Writers and Kundiman. This is more than a festival—it’s a movement to elevate stories that matter.

We welcome your submissions and look forward to celebrating the transformative power of words. Join us in creating a legacy of literature that bridges worlds and celebrates humanity.

Here is information on some of our past festivals:

IAAC believes in supporting the artistic community. We have expanded our support for artists generally and authors specifically.
IAAC will:

  • Pay an author honorarium
  • Pay a moderator honorarium
  • Include a link to book purchase

About the Indo-American Arts Council :

The Indo-American Arts Council is a not-for-profit arts organization passionately dedicated to promoting, showcasing, and building an awareness of the arts and artists whose heritage lies in the Indian subcontinent in the performing arts, visual arts, literary arts, and folk arts. IAAC supports all the artistic disciplines in classical, fusion, folk, and innovative forms influenced by the arts of India. They work cooperatively with colleagues around the United States to broaden collective audiences and create a network for shared information, resources, and funding. The IAAC’s focus is to help artists and art organizations in North America as well as to facilitate artists from India to exhibit, perform, and produce their work in the United States. www.iaac.us

The Indo-American Arts Council (IAAC) is pleased to announce the 2026 IAAC Literary Festival in New York City on November. This distinguished celebration of the written word shines a spotlight on the vibrant cultures of India and its diaspora, offering a platform for stories that inspire, challenge and connect.

We invite submissions of published books across all genres, including poetry and children’s literature. We welcome writings by Indian and diaspora authors, as well as by individuals of all backgrounds whose creations draw inspiration from or are deeply rooted in India’s rich cultural heritage. Original content in English and Indian languages (with English translations) are welcome.

Our festival has hosted luminaries such as Salman Rushdie, Amartya Sen, Megha Majumdar, Asma Khan, Alka Joshi, and Nobel Laureate Dr. Kailash Satyarthi, alongside powerful voices in literature and thought. It is a space where literary excellence meets cultural depth, and ideas transcend borders.

IAAC champions themes like Empowerment, Sustainability, and Inclusivity, forging partnerships with leading organizations like Poets & Writers and Kundiman. This is more than a festival—it’s a movement to elevate stories that matter.

We welcome your submissions and look forward to celebrating the transformative power of words. Join us in creating a legacy of literature that bridges worlds and celebrates humanity.

Here is information on some of our past festivals:

IAAC believes in supporting the artistic community. We have expanded our support for artists generally and authors specifically.
IAAC will:

  • Pay an author honorarium.
  • Pay a moderator honorarium.
  • Include a link to the book’s purchase page. Please refer to the FAQs for more details on book sales.

About the Indo-American Arts Council :
The Indo-American Arts Council is a not-for-profit arts organization passionately dedicated to promoting, showcasing, and building an awareness of the arts and artists whose heritage lies in the Indian subcontinent in the performing arts, visual arts, literary arts, and folk arts. IAAC supports all the artistic disciplines in classical, fusion, folk, and innovative forms influenced by the arts of India. They work cooperatively with colleagues around the United States to broaden collective audiences and create a network for shared information, resources, and funding. The IAAC’s focus is to help artists and art organizations in North America as well as to facilitate artists from India to exhibit, perform, and produce their work in the United States. www.iaac.us